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Kosho Uchiyama

Been a while since I thought of Zen, which is possibly a good thing, cos thinking of Zen is like chasing wind sprites…

Anyhoo, a dear friend is staying a the moment while his boyo recovers from a bizzare illness, and it got me thinking about my own life and children, especially the impermanence of life. One of my favourite books on life and letting go/hanging on is Kosho Uchiyama’s “Opening the Hand of Thought”. I thought of it while teaching the other day.

I play an instrument called a Bodhrán (bau-rawn), which is an Irish frame drum, and I also have a couple of students who are learning from me about my philosophy toward the instrument. It was to one of these students that I said, “Holding the tipper is a constant action of holding on and letting go”, which is also a Keith Urban Album note and is also Kosho Uchiyama’s abiding mantra.

We fear loss. We fear it more at different times, and one of those times is when your child becomes severely ill. The axiom that “No parent should ever have to bury there child” comes to mind, but it does happen, and all too regularly.

So we develop the habit of hanging on tightly, gripping the things and people we love with all our energies. In doing so, though, many of us come to realisation that our hands/hearts are are only so big or strong, and we can’t hang on to everything forever. So much angst, so much inner turmoil, too much… We need to let go. Yet, how do we let go without losing those things we hold dear?

Here is what I do, and bear in mind, this is a metaphor, and a poor shade of what Kosho Uchiyama is getting at.

Take an object, any object; a spoon will do… Imbue that spoon with the weight of intense love/desire/person’s character. Hold it tightly for as long as you can, until your hand begins to burn and ache with fatigue, unable to leave even if they wanted to, then, when you can hold it no longer, let it go…

What happened when you let go? Did the spoon fall to the floor or onto the table? That is what my spoons always did when I let them go, and I saw their loss as inevitable and a part of life that must be endured. The floor soon became littered with spoons, and walking around the room became hazardous…

Then I read Kosho Uchiyama, and I saw the image on the front of his book, an upturned hand*. Suddenly I saw that I do not need to let these things I held so tightly fall; I could hold them in my relaxed and open palm, and look at them, see them in their fullness, come to know them, and then, having ‘let go’ I could put them aside, or let them leave or have them stay. They are my thoughts. Thoughts of loss, delusions that want me to not change, to keep the status quo, to live my life pretending that life will go on forever…

Water from the well, and a fresh cup everyday is worth the walk, if only to remind me that all things change, and all things die.

*The book re-release has a different image now; and open window from a room to a garden, from the constrained to the wild, still apt, but not as powerful to me, but that is another thing I need to let go of…

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We all want to be liked and need to be loved, but sometimes we can’t bear the thought of living life alone. There is no alternative to the realisation that, ultimately, and in the now, we already are.

Some think this morbid, or a banal existentialist pith take, but it is a fair summary of life. We seek acceptance because most of us are unaccepting of who we are, and have no real love or confidence in what we are made of.

Some call it compromise or mutual acceptance; I just call it lazy. The sort of discussion that involves getting to know the good, the bad and the ugly of ones-self is one very few of us rarely have, mostly because we end up beating the crap out of ourselves. Pity…

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Via my friend, Kate, for whom eternity is always only ever a step away… Speaking to the condition that those of us who enjoy a session or twenty, kent full well.

Caoineadh is like mojo; it involves the merging of musician with music…more commonly used to mean ‘keening’, which is weeping, wailing, lamenting, the word is associated with a trance-like state…No amount of applause can fill the void if this does not occur.
Talitha Mackenzie, American-Scottish Singer, Songwriter, Composer and carrier of the puirt à beul tradition.

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Rain and Raspberries © Shilpa

Rain and Raspberries © Shilpa

It is turning from spring to Summer where I live, a slow, easy progression. Yesterday was wonderfully warm, with the sun carrying enough poke to let us know what summer will be like, while today has been one long wet. It’s beautiful, this time of year, and I love it. Contrasting weather from one day to the next, and the raspberries are loving it too; they’ve just begun their show of arrival.

It amazes me, that for those who will take the time to look, listen and learn, that where we live is an amazing place. Yet, even as early as this morning, I heard people whingeing about “Days of Drenching Rain”, as if the world was coming to an end and that the land was going to disappear. I think they forget just how brutal the past two summers have been, and how close to 200 Australian’s lost there lives in horrendous bushfires, while some suicided after that one, last, heart-breaking season of drought. Yes, we’ve had some of the worst flooding in decades, and the damage that it and Kiss My Yazi brought us is not forgotten either.

Yet, we need the rain, we need the water, we need it to bring its abundance to us so that we can sally forth into the dry months to come. We need to store it, to honour it, to consider it precious and to not squander it, living our lives one dunny flush at a time and considering the plight of the world whilst taking our 15 or 20 minute showers. We need to do better, we can do better; we just need to want to do better.

We are ‘the lucky country’ because of the rain, and we know that we need to do a lot more about the proper use of this global resource that falls on where we live, instead of squabbling over ‘my river’, ‘our dam’, ‘their water catchment’. It is a folly that we have deluded ourselves with for too long, and one we can well-and-truly no longer afford to entertain.

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